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        <value key="title">Pianta topografica di Roma antica con i principali monumenti ideati nel loro  ...</value>
        <value key="date">1850</value>
        <value key="person">Luigi Canina</value>
        <value key="location">98 x 140 cm</value>
        <value key="type">Radierung</value>
      </record>
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    <metadata xml:lang="en">
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        <value key="title">Pianta topografica di Roma antica con i principali monumenti ideati nel loro  ...</value>
        <value key="date">1850</value>
        <value key="person">Luigi Canina</value>
        <value key="location">98 x 140 cm</value>
        <value key="type">Engraving</value>
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      <title xml:lang="en" />
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        <title xml:lang="de">Montecitorio</title>
        <title xml:lang="en">Montecitorio</title>
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        <annotation xml:lang="de">
          <line>
            Luigi Canina sah in den Resten des Anfitheatro di Statilio Tauro den östlichen Abschluß einer Rennbahn, der sogenannten
            <i>Equire</i>
            .
          </line>
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        <annotation xml:lang="en">
          <line>english translation to come</line>
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            <title xml:lang="de">AR74 Deutung nach Piranesi</title>
            <title xml:lang="en">AR74 Interpretation after Piranesi</title>
            <content xml:lang="de">Piranesis Theorie wurde von einigen wichtigen Topographen des 19. Jahrhunderts übernommen. So erscheint der Monte Citorio als Ort des Amphitheat</content>
            <content xml:lang="en">english translation to come</content>
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